Saturday 27 January 2018

Mary Stuart (Almeida West End)

Another weekend, another couple of plays.

My friend A and I booked to Mary Stuart, which has transferred from the Almeida theatre to the west End - I went into it with very little prior knowledge; I mean, I have a basic knowledge of Tudor History, but I hadn't read anything about the play in advance.



The original play was written in 1800 by Friedrich Schiller, this version is an updated translation, produces by Robert Icke, (who was also responsible for 1984, and the Andrew Scott Hamlet .

he two leads, Juliet Stevenson and Lia Williams play the roles of Elizabeth I and Mary, Queen of Scots. At the start of the play a spin of a coin determines which of them will play Mary, and which Elizabeth.

The day we went, Juliet Stevenson played the Virgin Queen, and Lia Williams the Scottish one.The production is a modern dress one, and the moment that the coin falls, the remaining cast of courtiers bow deeply to Elizabeth, while Mary is stripped of her jacket and shoes and led away to prison.

The play revolves around the period leading up to Mary's execution, and imagines a (wholly fictitious) meeting between the two queens, and explores the similarities, and the differences, between the two - Mary's Catholicism and Elizabeth's Protestantism, Mary's marriages and Elizabeth's virginity, Mary's self-confidence due to having been born and raised to be a queen, and Elizabeth's history of being proclaimed as illegitimate. 

Both of them are imprisoned, in their own ways. Mary literally, and Elizabeth by the expectations of her role and by her advisers. Indeed, as the play moves on, it appears that Elizabeth is, in some ways, more trapped than Mary , political pressures pushing her towards authorising Mary's execution, while Mary herself grows calmer and embraces martyrdom.

At the end of the play, Mary appears, ready for her execution, in a simple shift, while Elizabeth (despite the play being otherwise in modern dress) is dressed in full Elizabethan style, with a red farthingale, white dress, white painted face, and a wig and ruff, leaving her almost immobile, and utterly isolated.

It would be interesting to see the play the other way round, with Juliet Stevenson in the title role. The play is coming to Bath in April,perhaps I shall have to go again, and see! 

The play is at the Duke of York's Theatre until 31st March.

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